My forms seek to evoke the evolutionary process. They explode from the inside out and appear always to be in transition. Accordingly, they are vestigal remnants, moving toward either extinction or passing on to higher incarnations. They are decidedly biomorphic and otherwordly and very much unlike what we are accustomed to seeing in the present. They are strong sculptural statements with foundations often inspired by the work of the likes of Henry Moore, Jean Arp, Joan Miro, the late paintings of Willem de Kooning and the sensuous works of african tribal art.